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Composition on the Handpan
Introduction
Introduction (3:36)
Notations for the Course (2:31)
1. First Composition
1.1 First Composition Breakdown (2:28)
1.2 Assignment #1 – Your 1st Composition (2:52)
2. Musical Structure
2.1 Musical Structure - A and B Sections (5:17)
2.2 Musical Structure - Adding Section C (5:32)
2.3 Musical Structure - Intro and Outro (4:24)
3. Composing from a Groove (Asymmetric Refraction)
3.1 Asymmetric Refraction 1.0 Solo Performance (3:22)
3.2 Asymmetric Refraction 1.0 - Breakdown I (2:31)
3.3 Asymmetric Refraction 1.0 - Breakdown II (2:19)
3.4 Assignment #2: Melodic Varations over a Groove (0:32)
3.5 Asymmetric Refraction 2.0 - Adding a 2nd Instrument (1:36)
3.6 Asymmetric Refraction 2.0 Solo Performance (2:34)
3.7 Asymmetric Refraction 2.0 Duo Performance feat. Naghmeh Farahmand (3:47)
3.8 Assignment #3: Adding a 2nd Instrument (0:24)
3.9 Asymmetric Refraction 3.0 Duo Performance feat. Milena Holtz (4:14)
3.10 Asymmetric Refraction on Kurd 9 scale (3:38)
4. Creating Long Cycles
4.1 Creating Long Cycles [including assignment #4] (6:35)
5. Composing from a Melody (Sulla Lulla)
5.1 Sulla Lulla Breakdown (5:30)
5.2 Sulla Lulla Performance (2:54)
5.3 How to Create Basslines I (7:41)
5.4 How to Create Basslines II (7:53)
5.5 Assignment #5: Compose Melody and Bassline (0:45)
5.6 Sulla Lulla on extended Yishama (3:35)
Bonus Video - Sulla Lulla Duet - from Handpan Friday Youtube series
6. Musical Contrast
6.1 Musical Contrast (7:29)
6.2 Assignment #6: Create Musical Contrast (4:25)
7. Composing from a Pattern (Miguel's Lullaby)
7.1 Composing from a Pattern (2 against 3) (2:04)
7.2 Basic 2 against 3 with Chord Progression (5:39)
7.3 Miguel's Lullaby - A Section (3:58)
7.4 Miguel's Lullaby - B Section (1:37)
7.5 Miguel's Lullaby - C and D Sections (4:07)
7.6 Assignment #7: Pattern and Progression (4:20)
7.7 Miguel's Lullaby Solo Performance (3:59)
7.8 Miguels Lullaby Trio Performance feat. Richard Ekre-Suzzi and Mauricio Garay (6:57)
7.9 Miguel's Lullaby on Kurd 9 (2:54)
8. Phrasing
8.1 Phrasing (5:02)
8.2 More Phrasing (3:39)
8.3 Assignment #8: Spicy Rhythm Please! (0:54)
9. Pedal Tones and Independence (Sound of Viborg)
9.1 Pedal Tones Examples (7:36)
9.2 Sound of Viborg Breakdown (11:50)
9.3 Assignment #9: Pedal Tone and Independence (5:51)
9.4 Sound of Viborg on Kurd 9 (3:30)
Sound of Viborg - Trio Performance feat. Nadishana and Armin Metz (8:18)
10. What Does a Note Want?
Chapter 10.1 – What does a note want to tell you? [including assignment #10] (4:33)
10.2 What do the Kurd 9 notes want to tell us? (6:06)
11. Working with Ostinatos (Dark Red Butterfly)
11.1 Dark Red Butterfly - A and B Sections (2:44)
11.2 Dark Red Butterfly Improvisation (2:52)
11.3 Assignment #11: Working with Ostinatos (4:42)
11.4 Dark Red Butterfly - C and D sections (3:12)
11.5 Dark Red Butterfly Performance (5:13)
11.6 Dark Red Butterfly on Kurd 9 (6:54)
11.7 Dark Red Butterfly on Amara/Celtic Minor (4:17)
11.8 Assignment #12: Transfer a piece to another instrument (0:31)
11.9 Tips for Working with Ostinatos I (4:15)
11.10 Tips for Working with Ostinatos II (3:16)
12. Musical Expectations
12.1 Musical Expectations (4:28)
12.2 Deceptive Cadence (1:33)
12.3 Free Melody (2:14)
12.4 Assignment #13: Create and mess with expectations (0:30)
13. Intervals
13.1 Intervals (2:13)
13.2 Intervals - Octave, 2nd and 3rd (3:46)
13.3 Intervals - 4th, 5th, 6th and 7th (6:08)
13.4 Assignment #14: Interval Progression into Musical Section (0:49)
Bonus Video - Arpeggios and Triads - from the Handpan Friday Youtube series (10:17)
13.5 Examples for Interval Progressions (4:22)
14. Minimalistic Composition
14.1 Minimalistic Composition Breakdown (6:10)
14.2 Minimalistic Composition performance (3:15)
14.3 Assignment #15: Minimalistic Composition (0:51)
Final Assignment
Final Assignment (0:44)
Listening Suggestions
David K
Nadishana
Kabecao
Manu Delago
Liron Man
14.2 Minimalistic Composition performance
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