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Advanced Handpan Techniques with Nadishana
Introduction
Introduction (1:06)
Course notation booklet
1. Pinky-Thumb Roll aka "Nadishana Roll"
1.1 Introduction and History of this Technique (3:42)
1.2 Nadishana: Pinky-Thumb Roll Basic Technique (8:06)
1.3 David: Additional Exercises (3:53)
1.4 Nadishana: Grace Note (3:58)
1.5 Nadishana: 5 Stroke Roll (3:43)
2. Nadishana Roll - Triplets and Breaks
2.1 Nadishana: Triplet Roll Technique (4:40)
2.2 Nadishana: Triplet Roll Musical Application (3:37)
2.3 Nadishana: Full Roll on the Tone Fields (5:55)
2.4 David: More Exercises (4:55)
2.5 David: Percussive Breaks (4:56)
3. Nadishana Roll - Let's refine the technique and create music with it!
3.1 Nadishana: Pinky Accents (6:35)
3.2 Nadishana: Left Hand Accents (2:03)
3.3 Nadishana: Pinky-Thumb Roll Composition 1 (2:52)
3.4 David: More Melodies (1:58)
3.5 David: Pinky-Thumb Roll Composition 2 (4:31)
4. Muting - Make your Playing More Groovy and Diverse
4.1 Nadishana: Muting Techniques (7:11)
4.2 Nadishana: Muted Grooves and Music (1:19)
5. Finger Nail Roll - A Technique Inspired by Flamenco Guitar
5.1 Introduction and History of this Technique (2:48)
5.2 Nadishana: Finger Nail Roll Technique (5:34)
5.3 David: Another Exercise to Develop the Basics (4:15)
5.4 Nadishana: Dynamics and Timbre Variations (4:26)
5.5 David: Switching Timing and Position (1:31)
5.6 David: Groove and Rolls (7:01)
6. Finger Nail Roll - Let's move on to the tone fields!
6.1 David: Practice on All Tone Fields (2:07)
6.2 Nadishana: Going up and Down the Scale (3:26)
6.3 Nadishana: Musical Application (2:12)
6.4 Nadishana: Triplet Roll (2:49)
6.5 Nadishana: Fast Doubles (1:38)
7. Finger Nail Roll - More Combinations and Arpeggios
7.1 David: Combination of 4s, 3s and 2s (4:11)
7.2 Nadishana: Three and One Combination (3:12)
7.3 Nadishana: One and Three Combination (3:12)
7.4 David: One and Three into Fours (4:18)
7.5 David: Arpeggios and High Tremolo (6:38)
7.6 David: Another Arpeggio Sequence (2:46)
8. Finger Nail Roll - Advanced Combinations
8.1 Nadishana: A More Complex Combination (3:56)
8.2 Nadishana: Melody and Tremolo (2:43)
8.3 David: Tremolo Sequence on a Different Scale (1:02)
8.4 David: Fast Triplet Practice (2:59)
8.5 David: Fast Triplet Composition (4:37)
9. Pelang - A Snapping Technique from Iran
9.1 Nadishana: Demonstration and Basic Technique (5:16)
9.2 Nadishana: Exercise in 3 Different Tempi (1:32)
9.3 Nadishana: Pelang Musical Application (4:16)
9.4 Nadishana: Muted and Open Articulation (1:45)
9.5 Nadishana: Another Musical Sequence (1:19)
9.6 Nadishana: Challenge! - Combining Finger Nail Roll and Pelang (3:29)
9.7 Nadishana: Challenge! - Indian Approach - 1 Sequence, 3 Different Tempi (2:17)
10. Shu Khur - A Handpan Composition
10.1 Nadishana: Shu Khur - A and B sections (3:18)
10.2 Nadishana: Shu Khur - C section, Solo Accompaniment and Transitions (3:25)
10.3 Nadishana: Shu Khur - Performance top view with notation (5:33)
10.4 Shu Khur - Ensemble Performance
More Music Suggestions
Nadishana & David K: Silver Lining
2.3 Nadishana: Full Roll on the Tone Fields
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